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So Tuesday I finally sent the apron to my swap partner, Jennifer, in Canada! I was very pleased with the final outcome, and I've asked her to send me a photo of her in it. Hopefully she'll oblige. Here is what I started with:
The rooster was the lucky find at the Goodwill. I went there hoping to find some sort of rooster image. Jennifer had indicated to me that her kitchen is decorated in a country/rooster theme. When I think "country," I think tans and dark reds and greens. So I started searching through all the linens and found 2 pillow cases, 3 sets of napkins, a table runner, and finally, at the very last minute, a lone placemat with a rooster on it! Hooray!
I wanted the apron to be "flirty" more than anything, and I feel I've achieved that. The stripes emulate feathers of a rooster to me.
A challenge for me was the size. Without a pattern, I've never made something for anyone else, and Jennifer indicated she was a size or two bigger than me, so I couldn't really use myself as a model. Luckily, I have a couple co-workers who were willing to model for me, and the apron looked so much better on them than it did on me. Nothing like clothes that fit!
This is the back, with extra long ties:
The apron swap has been a lot of fun. If you click on the button to the right, you can see all the other amazing creations that other women around the world made. There are some amazing ones and some well, interesting ones. But each one of them was made with love, and is a work of art in its own right.Too, I've met a new online friend, Tara, through this swap! She is another artist in Fort Collins and I hope to have a chance to meet her in person at some point. Her blog is called Tinkerfrog, and at this very moment, she is having a really cool giveaway. Check out her blog and post a comment to be entered to win her excellent assortment of fabric. Do it soon, as her giveaway ends on April 30th!
Tonight I have no final products to show you, but the workings of final products, indeed! This weekend was about getting down to business. Tuesday is the postmark deadline for our International Card Swap, and a week from Monday is the postmark deadline for the Flirty Apron Swap I'm participating in online (click on button to the right to learn more). So this weekend, I designed. After much experimenting, I finally came up with a card design I'm satisfied with. Rather than spoil the surprise entirely and post my prototype on the blog, I thought I'd post the ingredients, since today was all about making each one so that I can put them all together assembly line-like in the next couple days. One of my favorite things is that the base is fabric, cut from a second-hand pillow case I found at the Goodwill this weekend for a dollar. Fan-cy!
The Flirty Apron Swap is a challenge to make a fun apron for a complete stranger, re-using old linens. Thus the trip to Goodwill this weekend. Indeed, for only about $7, I found all my materials. Below is how I envision it:
That's all I'll say for now, though, just in case my partner happens upon my blog for some reason (it's supposed to be a secret from her until she receives it in the mail). I look forward to showing you the final outcomes soon! Till then, check out my sister's new photography blog, A Journey in Photography, and take care.
Last Saturday at the Artist's Nook, I took a class on how to do transfers. I am SO thrilled about this new technique! The class was taught by Jacqueline Sullivan, an artist from Michigan (you can see her website here.) This was the first time she had taught how to do transfers, and I learned tons. Also, she gave us great notes so that when we're back home practicing this on our own, we'll hopefully have a clue.
First one we did was onto metal. This metal is thin but strong, and not sharp on the edges, about 2"x3". She first had us sand the metal, to get the surface finish off (apparently, it is like a thin layer of oil). Then, you lay a color laser print (like a color copy) face down on it, binding it to the metal with a gloss medium (fancy name for glue). Then you let it dry. Once it's dry, you soak it in water to get the paper wet, then slowly rub the paper off with your finger. The image stays! Amazing! I learned a good lesson here: when dealing with words in your images, make sure your original color copy is a mirror image, so that it turns out right on the transfer.
Next, we did what Jacqueline called "old fresco." We mixed some acrylic paint in with gesso, a white base primer that has a really chalky texture, which helps it bind, and painted it onto some watercolor paper. Then, while it was still wet, we plopped our image face down into the paint. Again, left it to dry, then later wetted the image's paper from the back side to rub off the paper and leave the image. You can see that I still have some rubbing to do on this one, but once it gets close to the image, it is important to be really gentle, otherwise the image can come up! This is my favorite one of the transfer techniques.
This was an "aged" look, using paint to first color a plain copy of an old document to make it look old. This transfer was from an ink-jet transparency, which I did over the aged document, again using the glossy medium. Didn't it turn out cool?
This next one is amazing. Ink jet transparencies and get this: hand sanetizer as the medium to transfer the image! Some people were more successful with theirs, getting their images in focus. My second try, on the left, was better, but still not sharp. But that's ok.
Finally, one of the easiest methods. Spray an ink-jet transparency lightly but completely with rubbing alcohol, plant face down on paper (we used this delicate writing paper), and less than 30 seconds later, carefully lift the transparency. If you leave it too long, then some of the image doesn't stick to the paper, like the one on the left around the edges, although that one still worked out fine.
I see great potential for using transfers in my work, and can't wait to try more. It was a lot of fun and I definitely feel "developed" in a professional way.
First card swap cards arrived in my mailbox today! Fun!
Obviously, I couldn't wait to get started! Here is the "circle album" but in the form of a very elaborate birthday card for my sister's 30th.
(Click on image for a closer view.)In the prototype, we used card stock for everything. In this one, the base layer is just good quality writing paper (makes for easier folding), and the colors are a mix of scrapbook/craft papers, card stock, and fabric (yesssss!--check out that green corduroy). Also in the first album I made, we folded and glued the base layers into place and then adhered the colored quarter circles and embellishments. This time, I left the base circles flat while decorating, which made writing, gluing, and detail work much easier, then glued it all together as a near-last step.Other additions: velvet ribbon, sequins, pockets for interaction, and a pull-out letter (see above, bottom-right three photos). Other materials include cotton fabric, brads, paper flowers, photos from Ashley's early birthday celebration in Colorado last December, brown satin ribbon, and press-on images. The red on the edges is done with a mini-stamp pad and is called "distressing" (new word for me). With all the pieces to cut out and my insistence on perfection and extreme detail, this piece took about 6-7 hours to complete.Katie asked for instructions. Here is what I received with my kit at the class:
(Remember, to get a closer view, click on the image!)
Taking myself more seriously as an artist has, wonderfully, allowed me the justification for taking art classes! Development is important for every professional, right? Last week, I attended a short evening class at the scrapbook store near where I live (an awesome shop called Capture, with tons of fun papers and a great workspace, owned and operated by two local women). The class was called Exploding Circle Album. I think I was the only non-scrapbooker there, but we had such fun! One of the store's owners, Suzanne, prepared the class for us, with all the papers selected and pieces cut out already. We folded, made a couple of cuts, glued, and embellished.What a great idea this album is! While scrapbookers in particular might use this as a photo album (the prototype we followed had photos and words in it), I see huge potential for it as an art piece (not that albums can't be "art"). As I glued and embellished that evening, I saw collages in my mind, elaborate cards or letters, or a coffee table work of art! And I wondered, how could I get fabric into the mix here? While I continue to ponder, this lovely thing decorates our home. It moves from table to table--an excellent conversation piece--and it makes me think and inspires me every day.My next professional development opportunity will be March 21, a class on transfers at the Artist's Nook. Stay tuned!And we have 13 people signed up for our card swap! Postmark deadline: April 14.