Patience Brewster is an artist I've liked for years for her delicate and detailed drawings & paintings, and for her whimsy. She uses color and captures the character of her figures in ways that I find wonderfully inspiring. She is currently best known for her Christmas ornaments.
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Trying to Find the Words
by Patience Brewster |
Serendipitously, her team recently contacted me to collaborate in an online Artist Appreciation Month event, where they have asked several folks to talk a little more about what's behind their work.
In an effort to go deeper with you, my devoted blog readers, I want to share my answers to her questions. I'd love to hear your own stories and thoughts in the comments below if you're inspired. :)
1. As a child, do you recall a significant moment when you felt truly affected or inspired by any particular artwork or artist?
This may sound funny, but my early inspirations were mostly in music. My mother is a strong musician and brought me and my sister up in an environment where singing and listening to music and watching musicals and attending classical concerts (as well as ballet and opera) were the norm. The day I found myself as one of four trumpet players in the prestigious Portland Youth Philharmonic during our first concert on the Arlene Schnitzer Concert Hall stage, I almost burst into tears, I was so inspired! It was in this moment, during the swells of a Brahms symphony, that I realized how art moves people, and how everyone has skills and a contribution to make in this world, no matter how young one may be.
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Trumpet section of the PYP with
conductor Jacob Avshalomov (1919-2013)
and me just to the right of him,
1995, Portland, Oregon |
2. As an artist, what do you hope to convey with your work?
Up till quite recently, my aim has been to express whimsy, love, relationship, meaning, and hope in my art. I like it when people are enchanted or intrigued when they see a piece I've made. I like it when I can come up with a twist that makes people see something in a new way. In moving forward from here, I want to add to that: how can I express some of the things that I think about outside the art studio (culture, race, class and gender, identity, privilege) in my work, and in a way that isn't dark? How can I find the courage to say something in my art that may challenge the beliefs of my viewers without alienating them? I am so community-oriented as a person, I want my art to start a conversation, not shut someone down.
3. What memorable responses have you had to your work?
The first thing that comes to mind is when I actually sold something at an art show. Talk about feeling legitimate! One of my very favorite artists is Barbara Gilhooly, who also happens to live in Fort Collins (and you should visit her website). She bought my piece and has since encouraged me to keep on keepin' on. More recently, my dad has been talking about me to his friends and our family members as the one who seemed to be born with the talent and skills and the ability to persevere to make something of it, like a career. That has really meant a lot to me.
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Me with Barbara Gilhooly and the piece
she bought (to the lower-left of us) |
4. What is your dream project?
Since taking a feminist art history course in the spring of 2015, I have tons of new ideas. I'm still working on working out how to actualize these ideas, but my dream for now is to make a body of work that could be exhibited in a gallery show that is not in my own town. I mean, it could be here too, but I always appreciate any opportunity to travel. :)
5. What artists do you admire?
There are just so many, and for so many reasons! To start, you can click on any of the links to the right and you will see a fair sampling of the artists I admire, especially in Fort Collins. But allow me to expand!
Sofonisba Anguissola was a prolific 16th century painter whose work I just love--it is vibrant, thoughtful, and addresses the occupations and confines of women in her day in subtle and intelligent ways.
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| The Chess Game, Sofonisba Anguissola, 1555 |
Maria Sibylla Merian brought science alive in her botanical illustrations, making science accessible to everyone.
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Plate LX from Metamorphosis insectorum
Suinamensium, by Maria Sibylla Merian, 1705. |
Rosa Bonheur was a 19th century French artist who poo-pooed the notion that women could only wear dresses. She got a doctor's note allowing her to wear pants, which made it easier for her to go to the slaughterhouses to study the anatomy of the cattle and other animals she so skillfully painted.
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| Rosa Bonheur |
Harriet Hosmer was a sculptor who was brave enough to articulate her thoughts on being a woman and an artist. She never married, and said this:
"Everybody
is being married but myself. I am the only faithful worshipper of Celibacy
[sic], and her service becomes more fascinating the longer I remain in it. Even
if so inclined, an artist has no business to marry. For a man, it may be well
enough, but for a woman, on whom matrimonial duties and cares weigh more
heavily, it is a moral wrong, I think, for she must either neglect her
profession or her family, becoming neither a good wife and mother nor a good
artist."
Hosmer’s
own thoughts about women’s rights, written in a letter of March 1861, were that
“every woman should have the opportunity of cultivating her talents to the
fullest extent, for they were not given her for nothing….” Not only do I admire that she said these things around the time of the American Civil War, but her words encourage me to this day. I so very heartily agree.*
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Harriet Hosmer working on her commissioned
statue of Thomas Hart Benton |
I also admire the women of the 1970s feminist movement, who paved a path for women artists who came after them.
I could go on and on, but in an effort to edit, here is a list of some artists who have lived in the last hundred years--indeed, some are alive and working today--whose work or approach I greatly admire and who are not already linked-to on this blog (click on their names to be directed to their websites or info pages about them):
